Japanese Minimalism

Kyoto born Rei Harakami studied film and initially wanted to pursue a career writing scores; however, a demo tape of his electronic material sent to the Sublime label garnered him the opportunity to remix Ken Ishii and, later, to release his own material ranging from danceable house tracks to spacy, minimalistic translations of Japanese melodies and rhythms into reflective electronics on the 1997 album ‘Unrest‘. Delicate & precise.

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Rei Harakami – ‘Bioscape’